They are full of envy, murder, strife, deceit and malice.
Romans 1
I remember Carrie Underwood on American Idol in 2005. She was a small town, Christian twenty-something who had never ridden on an airplane, never been to a big city. Week after week in the competition, thousands of people like me cheered her on as she advanced in the competition. Finally, she was declared the winner of Idol Season Four. She immediately released an album, Some Hearts, which won three Grammy's including Best New Artist. There were two songs on that album that stood out for me. The first was Jesus, Take the Wheel - a tune that I listened to over and over. The second song was Before He Cheats.
Although I really liked Carrie as a singer and an entertainer, Before He Cheats bothered me. The singer is telling the triumphant story of revenge on a guy who is cheating on her. That revenge, however sweet it might be, is vandalism - cheerful, triumphant vandalism of a real scumbag's SUV, but vandalism none-the-less: keying down the side of the vehicle, a baseball bat to the headlights, a knife to the leather seats and the tires. It makes for a heck of a song, but the message it sends does not exactly jibe with either the laws of the land or the laws of God.
Her latest hit single, Two Black Cadillacs, gave me the same uneasy feeling. This is also a song about a cheating man, as well as the wife, the mistress, and a funeral procession with two black cars. The lyrics of the song are clear: the two women compare notes, decide that the jerk will not get away with his lying and philandering, and they wait for the "right time." The right time for what? To kill the guy! Yes, that's right - to MURDER the husband.
Last Sunday I went out for lunch to a local restaurant, and the music video for Two Black Cadillacs came on the big screen. To say that I was shocked as I watched would be an understatement. One of the women lures the man to a meeting place, then the cars begin to play with him like a cat and mouse, finally running him down as he pleads for his life. After he is dead, the two women walk up to view their handiwork (all you see is a limp, bloody hand). Were they in the cars? Watching as "innocent" bystanders?. In a "behind the scenes" video, Underwood explains that the women don't do the killing, the cars do (a la Stephen King's horror novel Christine), as though that makes the killing okay. The car does "heal" itself of the resulting dents and dings, but in the video, there are clearly "hands on the wheel" and "foot on the accelerator" shots just before the man is gunned down.
What message does this video deliver to the hordes of adoring fans - mostly kids and teens? The man is a cheating scumbag so it's okay to take his life? Do the dirty on me and see what you get? Cheaters don't deserve to live? I know what message it sent to me: this is an artist that I don't need to listen to anymore.